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SIA: Composing Cultural Community
| SIA Project |
| Resources - Rasa |
| The State of the Arts: 2020-2021 |
| Music of Shirish Korde |
| Courses |
> Winter 2021 - MUSC 299-01: Jazz, Civil Rights, & Hip Hop
> Fall 2020 - MUSC 299: Music, Performance & Community
> Spring 2021 - MUSC 299-02: Performance & Community Engagement
> Spring 2022 - MUSC 259-02: Music, Performance & Community
> Spring 2022 - 306-01: Topics in Advanced Musical Analysis
| Supplementary Materials for SIA Courses |
> Public Speaking - Resources
> Networking - Resources
> Graduate Programs in Arts Administration - Resources
> Musical Performances and Exhibitions in the Time of COVID-19
> Race, Diversity, and Inclusion (Post George Floyd)
> Interviews on the State of the Arts
> Thought Leadership
> Music and Meditation
> Music and the Brain
Home
SIA: Composing Cultural Community
| SIA Project |
| Resources - Rasa |
| The State of the Arts: 2020-2021 |
| Music of Shirish Korde |
| Courses |
> Winter 2021 - MUSC 299-01: Jazz, Civil Rights, & Hip Hop
> Fall 2020 - MUSC 299: Music, Performance & Community
> Spring 2021 - MUSC 299-02: Performance & Community Engagement
> Spring 2022 - MUSC 259-02: Music, Performance & Community
> Spring 2022 - 306-01: Topics in Advanced Musical Analysis
| Supplementary Materials for SIA Courses |
> Public Speaking - Resources
> Networking - Resources
> Graduate Programs in Arts Administration - Resources
> Musical Performances and Exhibitions in the Time of COVID-19
> Race, Diversity, and Inclusion (Post George Floyd)
> Interviews on the State of the Arts
> Thought Leadership
> Music and Meditation
> Music and the Brain
Home
| SIA Project |
| Resources - Rasa |
| The State of the Arts: 2020-2021 |
| Music of Shirish Korde |
Folder: | Courses |
Back
> Winter 2021 - MUSC 299-01: Jazz, Civil Rights, & Hip Hop
> Fall 2020 - MUSC 299: Music, Performance & Community
> Spring 2021 - MUSC 299-02: Performance & Community Engagement
> Spring 2022 - MUSC 259-02: Music, Performance & Community
> Spring 2022 - 306-01: Topics in Advanced Musical Analysis
Folder: | Supplementary Materials for SIA Courses |
Back
> Public Speaking - Resources
> Networking - Resources
> Graduate Programs in Arts Administration - Resources
> Musical Performances and Exhibitions in the Time of COVID-19
> Race, Diversity, and Inclusion (Post George Floyd)
> Interviews on the State of the Arts
> Thought Leadership
> Music and Meditation
> Music and the Brain
Home

  • Susan Feder, program officer for the Arts and Culture Program, The Andrew W. Mellon Foundation

  • John Kieser, executive vice president and provost, New World Symphony

  • Afa Dworkin, president and artistic director, Sphinx Organization

  • Beth Morrison, president & creative producer, Beth Morrison Projects

  • Trey Devey, president of Interlochen Center for the Arts

  • Stefan Forsberg, exec & artistic dir of the Royal Stockholm Philharmonic Orche

  • Elizabeth Sobol, president & CEO, Saratoga Performing Arts Center

  • John Gilhooly, Wigmore Hall's artistic and executive director

  • Stanford Thompson, head of Play On Philly founding board chairman, El Sistema

  • Michael Kaiser, part 1

  • Michael Kaiser, part 2

  • Matthew Shilvock, general director, San Francisco Opera

  • Paul Hogle, president & CEO, Cleveland Institute of Music

  • Heather Noonan, VP of Advocacy, League of American Orchestras

  • Jasper Parrott - Force Majeure is Unbalanced and Unfair

  • Deborah Borda, President & CEO, New York Philharmonic, part 1

  • Deborah Borda, President & CEO, New York Philharmonic, part 2

  • Entertainment Lawyer Brian Taylor Goldstein on the coronavirus crisis

  • Eric Einhorn, general and artistic director, On Site Media

  • Interview with Peter Gelb